Special Collections is in the process of uploading photographic essays by photojournalist Elisa Leonelli to the Claremont Colleges Digital Library. The images uploaded so far were mostly taken during the 1980s, and cover an eclectic range of subjects and locations, from Peruvian folkloric dance to Los Angeles storefront windows. Here is a small sample highlighting the broad scope of Leonelli’s travels and interests.
Two costumed dancers perform the Turkuy, a dance from the Yanaoca District celebrating the completion of work beneficial to the community.
According to Leonelli’s accompanying essay regarding what the performers dance to, “The words of the song refer to the best effort and ability they put in the work and serve as a stimulus to keep doing their best.”
This statue in Rajasthan, India helps measure the water levels of Lake Pichola.
Movie-goers stand outside a box-office window in Guilin, China.
Schoolchildren in Havana, Cuba.
Leonelli’s work has appeared in both American and international publications, such as this Finnish photo essay about American truckers:
This collection is a work in progress, so please check back periodically.
This entry was written by Special Collections Student Assistant, Myles Mikulic (Claremont Graduate University).
The West-ography, re-imaging the West Collection is made up of different photographic approaches to documenting the rich and changing contexts that have characterized the American West. Early photography of the West focused on capturing the unique landscapes that the West had to offer and on creating portraits of Native Americans. As time went on, photographers began to make portraits of pioneers and started to document many aspects of life in the West like Western fiestas and pageantry.
In the West-ography Collection, visitors can go through Edward S. Curtis’ The North American Indian: being a series of volumes picturing and describing the Indians on the United States, and Alaska (numbered plate portfolios and boxes 1 and 4). This body of work began in 1906 when Curtis was commissioned by JP Morgan to make photos of the American Indians. Morgan paid Curtis $75,000 (around $2,000,000 in today’s money) to complete the project which would take him around 20 years to do. Curtis’ goal in the project was to not only make photos of the American Indians he encountered, but also to document their fading way of life. To that end, he brought along a team of scholars including anthropologists and journalists. Throughout this pursuit, Curtis took over 40,000 photographs of Native Americans from over 80 tribes and carefully depicted their way of life through written records.
All images are from The North American Indian: being a series of volumes picturing and describing the Indians of the United States, and Alaska, by Edward S. Curtis, published by The University Press (Cambridge, Mass.), beginning in 1907 and culminating in 1930. The full set is held in Special Collections at the Claremont Colleges Library.
Currently, the collection includes select Edward S. Curtis photogravures from his The North American Indian: being a series of volumes picturing and describing the Indians of the United States, and Alaska numbered plate portfolios and boxes 1 and 4 from the Charles Lummis photograph collection which cover the American southwest and California.
Future plans include adding photographs from the Marion Parks Papers and a variety of other materials from Special Collections, Claremont Colleges Library which contain Western imagery. Parks’ photographs include “La Fiesta de Los Angeles”- which was an annual “celebration of Southern California and the Southwest” in the 1890s and other historical pageants/events in Los Angeles. Though the initial focus is on photographs, it is hoped other “imaging” media such as video files, audio files, and ephemera will also be added to this collection.
This collection is a “work in progress” so please check back regularly.
This entry was written by Special Collections Student Assistant, Tristan Marsh (Pomona College ’18).
Now through December 22, come “tour” Yosemite through books, photographs, drawings, ephemera and other, mostly 19th century, primary source materials.See how visitors traveled to Yosemite. See where they stayed and what they did and saw. See how they reflected upon their experiences after leaving this wondrous place!
You can visit the exhibit anytime during Honnold/Mudd Library hours. Exhibit space is located 2nd floor, Honnold side, just inside the North entrance and just outside Special Collections. Exhibit was co-curated by Char Miller, W. M. Keck Professor of Environmental Analysis, Pomona College and Lisa Crane, Western Americana Librarian, Special Collections, Honnold/Mudd Library.
Many items are on loan for this exhibit. However, some items from Special Collections, Honnold/Muud Library are also included; such as a 1904 diary and photo album from Pomona College, Class of 1900 alum Robert P. and Alice B. Jennings documenting their trip from Los Angeles to Yosemite via wagon and stereoview photographs from the Martin Mason Hazeltine collection.
There will be two related programs:
On Saturday, October 13th there will be a reception, talk and gallery tour by Denny Kruska, Los Angeles author and bibliographer, who loaned many of the materials on display. More details to follow.
On Wednesday, October 31st, Char Miller will give a Claremont Discourse Lecture on “Public Lands, Public Debates: A Century of Controversy”, his latest publication.
So save the dates! More information coming!
The Martin Mason Hazeltine stereoview collection was recently purchased by Special Collections, Honnold/Mudd Library and its finding aid listing titles of all items can be viewed at the Online Archive of California.
Fifty-three stereoviews, plus one duplicate, of Yosemite Valley and the California Big Trees scenic views. All marked with the studio imprint of John P. Soule. This “California” series of photographs was produced by the photographer Martin Mason Hazeltine (1827-1903), though no credit is given him on these images. Hazeltine, a Vermont native, moved to California and established a studio in Mendocino in the late 1860s. Among his works, he produced many western images, including this Yosemite series, and one on the Yellowstone. His photos were published by other firms, including J. P. Soule, and Lawrence & Houseworth.
Honnold/Mudd Special Collections has copy no. 7, signed and inscribed by Yavno and G. Ray Hawkins. Call number TR 654 .Y38 1976